BIOGRAPHY

- 2024 :
- 2023 :
- 2022 :
- 2021 :
- 2020 _2019 :
- 2018 :
- 2017-2015
Press



4-minute France TV report on my commitment: My portrait series “DE-SOL-ES, enfance exilée”, created during my residency at France Terre d’Asile, and my new project “Kintsugi, reflets de femmes” anchor my work in contemporary reality.
France Info
“Kintsugi, reflets de femmes”: an exhibition at the Paris Court of Appeal pays tribute to women victims of violence
Until March 28, the Paris Court of Appeal (in the Sainte Chapelle gallery) is raising awareness of violence against women through a poignant exhibition.

I was honored to be awarded the Prix Miroir de l’art at the Figuration critique exhibition in Paris in 2023.

Le Maine Libre
Article published in Le Maine Libre on the occasion of Puls’art, a contemporary art event.

Emma Belz, historienne d'art
In the atelier
TECHNIQUE DE LA LAQUE
Lacquer has been used since ancient times in many parts of the world. It is with the sap of a Sumac tree – Rhus vernicifira – used in China for over 5000 years that the most sumptuous heritage has been created.
The lacquer created from this material, harvested by gemmaging the laquier or lacquer tree, is glazed in a succession of layers, sanded and then worked like the old masters. It earned its letters of nobility thanks to successive generations of Chinese and then Japanese lacquerers who surpassed themselves in the creation of decorations rich in techniques – engraving, gold and silver aventurine, relief, inlaying of mother-of-pearl, bone, hard stones and ivory.
European artists imitated these techniques and materials to the point of inventing a purely Western style. Today, the lacquerer’s craft is constantly evolving and enriching itself with new expressions.


Today, artist Laetitia Lesaffre is evolving her lacquer craft by putting it at the service of her photographic approach: at the frontier between painting and photography, her work explores the reflection in her lacquers.